the word studio notebook

I'm a freelance writer, designer, and game developer. My name is Will Hindmarch, and this is a casual notebook I keep on the web.
Jan 25 '12
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.

1 note Tags: poetry poem Billy Collins lanyard

Jan 23 '12
And everything heals, given time / And everything dies, given time.
— The Builders and The Butchers, “Golden and Green”

Tags: lyrics music

Jan 23 '12
nprfreshair:

a map of people in chicago going home via their geotagged tweets (via gapersblock)
Is this the structure of Chicago? (by Eric Fischer)

nprfreshair:

a map of people in chicago going home via their geotagged tweets (via gapersblock)

Is this the structure of Chicago? (by Eric Fischer)

696 notes (via nprfreshair)Tags: Chicago Twitter maps

Jan 22 '12

5 notes Tags: comics writing artists

Jan 22 '12

On Writing Writing Advice

I set aside this space to put in some writing advice—maybe a quote from some famous novelist or long-dead playwright—but finding writing advice now would send me sailing across the open sea, from island to island, whiling hours on pre-whittled quotes and Wikipedia links hidden behind choking vines. Those hours spent trawling the Internet’s seas would be years off my characters’ lives, a decade of adventure traded for a bon mot on the shore. If you need me, I’ll be in the bar at port, plied with drinks and telling tales, for a writer at sea is safe but that’s not what writers were made for.

1 note Tags: writing life writing advice

Jan 19 '12

1 note Tags: RPGs cities games

Jan 18 '12

Dear Representative,

(A version of the letter I sent out today:)

Thank you for taking the time to read my letter. My name is Will Hindmarch. I’m a Chicagoan, a writer, a designer, and a game developer. I have worked, both on salary and freelance, for companies that make their living on homemade and licensed IPs. I have seen my work appear without my permission on websites I don’t approve of, circulated without consent by media pirates.

The PROTECT IP Act and its cousin, SOPA, are gross and blunt reactions to the issue of media piracy. The Internet is a medium of ideas. Censoring the Internet—without due process for those labeled as violators of copyright—hinders ideas. These bills stymie innovation, choke a burgeoning creative culture, hinder American expression and fair use, and put the power to combat piracy into the hands least adapted to understand and parse the Internet. It rewards those who are slowest to adapt to a new-media frontier at the expense of pioneers and visionary artists. 

The blatant copying of art for sale, or even to bypass sales, is a problem. Thwarting or preventing new art, new speech, and supportive and passionate fandom is too high a price to pay to combat that problem. Piracy cannot be eradicated any more than theft and fraud have been eradicated. We can’t even agree on the actual damages done by online piracy. Let’s put away the big guns and pull out the magnifying glasses. We must learn what piracy is and does and how to thrive in an era where it can, at best, be minimized.

This is a complex issue that calls for spirited debate and nuance. It’s a matter of vision and creativity. The future of our culture is here already and it’s online.

Please do not support the PROTECT IP Act. Good bills and good laws may yet be composed to minimize the damage done by Internet piracy. Good bills and good laws may be able to help IP creators and developers adapt to the new market, the new audience, the new world. The PROTECT IP Act is not such a bill.

Thank you for your time.

4 notes Tags: politics writing creativity the internet the future

Jan 17 '12

2 notes Tags: the internet politics creativity business

Jan 16 '12
Understanding what is joyful about illustration is important. It’s important to create a thing that will delight an artist. […] You are, in many ways, writing a love letter intended to woo the artist into giving their best possible work to the job.
— Warren Ellis on comic-book scripts (via WarrenEllis.com)

Tags: writers writing comics

Jan 15 '12
When Dostoevsky met Dickens in 1862 — a meeting that is hard to imagine — Dickens explained that there were two people inside him, ‘one who feels as he ought to feel and one who feels the opposite.’ […] Out of these two people he constructed his universe of characters, good and evil. Dostoevsky’s comment is laconic and ambiguous. ‘Only two people?’ he asked.
— Verlyn Klinkenborg, “The Whirling Sound of Planet Dickens” (via fwriction)

1,008 notes (via laphamsquarterly & fwriction)Tags: writers writing